Make Holiday Memories with the Kansas City Symphony

Choirs? Check. Bells? Check. Brass? Check. Watch out, Santa, the Kansas City Symphony has made its list and checked it twice as the ensemble prepares for five separate concerts this December, including KC’s grandest holiday concert tradition, Kansas City Symphony’s Christmas Festival.

Canadian BrassKansas City Symphony Presents
CANADIAN BRASS: CHRISTMASTIME IS HERE!

December 1, 2017
Helzberg Hall | Kauffman Center

Douglas Droste, guest conductor

Hark! The herald trumpets sing — along with French horn, trombone and tuba in this most wonderful holiday concert together with your Kansas City Symphony. These five brass masters always amaze audiences with their exquisite ensemble playing, wide-ranging repertoire and the sheer joy of their music-making. Hear classic carols, sacred music along with fun Christmas tunes, such as the treasured A Charlie Brown Christmas. Tickets from $35. Learn more.

 

TubaChristmasKansas City Symphony Presents
TUBACHRISTMAS
December 4 & 8, 2017
Helzberg Hall | Kauffman Center

 

Celebrate TubaChristmas in Helzberg Hall on Monday, December 4 AND Friday, December 8! All area tuba and euphonium players are invited to join in the festivities. All are welcome at the FREE lunch-hour concert to listen to the sounds of the season, tuba-style! Advance registration and a fee are required to perform. Call (816) 218-2639 for more information.

Janet M. Stallmeyer and Donald L. Flora generously underwrite TubaChristmas.

Handel's Messiah

Kansas City Symphony’s
HANDEL’S MESSIAH
December 8-10, 2017
Helzberg Hall
 | Kauffman Center

 

Matthew Halls, guest conductor
Kansas City Symphony Chorus | Charles Bruffy, chorus director
Kiera Duffy, soprano
Dann Coakwell, Tenor
Allyson McHardy, mezzo-soprano
Morgan Smith, baritone

This mosaic of the scriptures remains Handel’s most famous work, and it is one of the most triumphant choral pieces ever written. The impeccable acoustics of Helzberg Hall together with your Kansas City Symphony and Chorus make this THE Messiah performance of the season! With nearly 200 musicians and inspired special guest vocalists on stage, Messiah is sure to impress and delight you. Sponsored by Thrivent Financial. Adult tickets from $25 and youth tickets from $13. Learn more.

 

Christmas Festival

Kansas City Symphony’s
CHRISTMAS FESTIVAL
December 15-19, 2017
Helzberg Hall | Kauffman Center

 

Jason Seber, David T. Beals III Associate Conductor
Kansas City Symphony Chorus | Charles Bruffy, Chorus Director
Christiane Noll, guest vocalist
Allegro Choirs of Kansas City
Rezound! Handbell Ensemble

We’re sending a musical Christmas card to you! Join the Kansas City Symphony and Chorus for this spectacular holiday celebration filled with lush symphonic arrangements of Christmas classics, fresh versions of your favorite carols, and many melodic surprises. Share the spirit of the season with your entire family as you enjoy enchanting performances by the Symphony, Symphony Chorus, Allegro Children’s Choir, the Rezound! Handbell Ensemble and a special early visit from Santa Claus! At each performance, we’ll give away a dazzling piece of diamond jewelry from Helzberg Diamonds, no purchase necessary. Sponsored by Helzberg Diamonds. Adult tickets from $30 and youth tickets from $15. Learn more.

 

Nightmare Before ChristmasKansas City Symphony Presents
DISNEY IN CONCERT: TIM BURTON’S
THE NIGHTMARE BEFORE CHRISTMAS
December 22-23, 2017
Helzberg Hall | Kauffman Center

 

Jason Seber, David T. Beals III Associate Conductor

What’s this, what’s this?! It’s the wildly inventive world of Tim Burton’s macabre classic shown in its entirety on a huge screen in Helzberg Hall for this Screenland at the Symphony presentation. Danny Elfman’s rambunctious, colorful score will roar to life in the hands of the Kansas City Symphony as you follow Jack the Pumpkin King’s quest to seize Christmas. Sponsored by Hallmark. The movie will be presented with out intermission. Adult tickets from $40 and youth tickets from $25. Learn morePresentation licensed by Disney Concerts © All Rights Reserved

For more information and to purchase tickets, contact the Symphony Box Office at (816) 471-0400 or visit kcsymphony.org. The Symphony offers a range of ticket prices and packages. Group and senior student discounts are available.

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New Concerts Added for 2017/18 Season

OUT OF THIS WORLD!

A sensory-friendly family concert

Thursday, October 19 at 6:30 p.m.
Helzberg Hall | Kauffman Center

Jason SeberDavid T. Beals III Associate Conductor

The Kansas City Symphony welcomes patrons and families with sensory-sensitivities to a symphonic performance on Thursday, October 19 at 6:30 p.m. The program will feature repertoire from the Young People’s Concert: Out of this World, combining symphonic music with visual elements. This fun and diverse performance will be specially adapted so families and friends of all abilities may enjoy symphonic music in a safe and welcoming environment. Tickets are $10.

Visit this page to learn more or call the Symphony Box Office at (816) 471-0400 between 10 a.m. and 5 p.m. weekdays.


SOUNDS RELAXING

A soothing evening of meditation and music

Tuesday, October 24 at 6 p.m.
Helzberg Hall | Kauffman Center

Prepare to unwind as our certified Relax and Renew® trainer Anita Bailey coaches you through various breathing and meditation techniques. Symphony musicians will perform selections to assist in your relaxation. Tickets are $10. To learn more visit this page or call the Symphony Box Office at (816) 471-0400.


MOZART’S GRAN PARTITA

A side-by-side performance with students of the UMKC Conservatory of Music

Wednesday, October 25 at 6 p.m.
Helzberg Hall | Kauffman Center

This early evening performance of Mozart’s tuneful Serenade in B-flat major, “Gran Partita,” written for 13 wind instruments and bass will be a true “side-by-side” between Kansas City Symphony musicians and UMKC students. This is event is free and open to the public.

Reserve free seats here or call the Symphony Box Office at (816) 471-0400.

Kansas City Symphony 2017-18 Star-Studded Season features Yo-Yo Ma, Joyce DiDonato, many more

Kansas City Symphony 2017-18 SeasonFrom iconic stars to timeless music, there’s never been a better time to be a season subscriber to the Kansas City Symphony. Subscribe today for access to the best seats at the best prices. The season begins in September and runs through June 2018.

Kansas City Symphony Classical Series2017-18 CLASSICAL SERIES
Fourteen concert weekends: 8 p.m. Fridays and Saturdays; or 2 p.m. Sundays. Purchase Bravo Series (7 concerts), Ovation Series (7 concerts) or Masterwork Series (all 14 concerts). Led by Music Director Michael Stern or guest conductors. 

2017-18 SYMPHONY POP SERIES
Four concert weekends: 8 p.m. Fridays or Saturdays. Led by David T. Beals III Associate Conductor Jason Seber. 

2017-18 SYMPHONY FAMILY SERIES
Four concert weekends: 2 p.m. Sundays. Perfect for children ages 4-13. Includes full-length version of the Symphony’s Christmas Festival. Each child subscription is only $10 with the purchase of an adult subscription. 

SPECIAL CONCERTS
Subscribers have the option to add on these holiday and specials concerts when purchasing a 2017-18 subscriptions. *Single tickets to some concerts on sale now. 

  • Screenland at the Symphony: Star Trek Into Darkness Live (Sept. 8 and 10)*
  • Brian Stokes Mitchell with the Kansas City Symphony (Oct. 7)*
  • Screenland at the Symphony: Nosferatu (Oct. 31)*
  • Queen’s Greatest Hits with the Kansas City Symphony (Nov. 18)*
  • Harry Potter and the Chamber of Secrets™ in Concert (Feb. 15-18, 2018)
  • The Music of Prince with the Kansas City Symphony (March 10, 2018)
  • Audra McDonald with the Kansas City Symphony (May 5, 2018)

*Indicates single tickets on sale now. 

HOLIDAY CONCERTS

  • Canadian Brass: Christmastime is Here! (Dec. 1)
  • Handel’s Messiah (Dec. 8-10)
  • Christmas Festival (Dec. 15-19)
  • Disney in Concert: Tim Burton’s The Nightmare Before Christmas (Dec. 22-23) 

The Symphony will announce other 2017-18 concerts and events, such as Classics Uncorked Series and the FREE Happy Hour Series concerts in July. 

Single tickets on sale Monday, July 24 at 10 a.m. 

To learn more about becoming a Kansas City Symphony subscriber or to purchase single tickets to select concerts now, visit kcsymphony.org or call the Symphony Box Office at (816) 471-0400.

From the Desk of Michael Stern

DEAR FRIENDS,

FOR THE FIRST TIME IN HELZBERG HALL, AND LITERALLY DECADES
of absence from the Kansas City Symphony’s programs, we present a towering 20th-century magnum opus (May 5-7). It is an understatement to categorize Britten’s searing masterpiece, War Requiem, as large-scale. Despite two discrete orchestras, a large chorus, a separate children’s chorus and three powerful soloists, for me, the overwhelming impact of this magnificent music comes from much more than its sheer size. Nine powerfully beautiful poems by Wilfred Owens, an English poet and soldier who perished just days before the armistice ending World War I, are interspersed with the traditional liturgical Latin text of the Requiem Mass.

Britten was commissioned to write this work to rededicate Coventry Cathedral, destroyed during World War II, but this work speaks to us on many levels. A lifelong pacifist, Britten reacted personally to the bloodshed of his times with a prayer for peace that is an indictment of war and violence itself, making the Requiem into a statement for all humanity. On the score’s first page, Britten quotes Owens: “The Poetry is in the pity… /All a poet can do today is warn.” Now, more than ever, this music is essential. With our brilliant soloists Christine Brewer, Anthony Dean Griffey and Stephen Powell, I am thrilled that we can share this music together.

Then too soon, our season ends in June with two outstanding concerts. Returning to play two Mozart piano concerti is my longtime friend and great artist Emanuel Ax (June 2-4). The merriment of Manny’s insights into Mozart create a perfect foil to Richard Strauss’ Till Eulenspiegel.

Rachmaninoff’s luxurious Second Symphony closes our finale concerts (June 16-18) where we also welcome two wonderful artists. Dynamic violinist Philippe Quint returns to our stage with Barber’s glorious Violin Concerto. Narong Prangcharoen, a brilliantly gifted young composer with University of Missouri-Kansas City roots, opens the program with his colorful and driving Phenomenon. It is an honor to bring this music to Kansas City. Music is alive and well here, and we are grateful to you all for this season — and for the future.


MICHAEL STERN | Music Director, Kansas City Symphony


To secure seats, visit kcsymphony.org or call (816) 471-0400.

GUEST VIDEOS: Soprano Christine Brewer & Tenor Anthony Dean Griffey

Britten's War Requiem

Join us for a moving and powerful concert event like no other. An extraordinary statement of peace that still resonates today, Britten’s War Requiem is a towering 20th century masterpiece. The Kansas City Symphony, Symphony Chorus, and special guests will perform this epic work on May 5-7 in Helzberg Hall at the Kauffman Center for the Performing Arts. Hear from a couple of our special guests:

Guest Soprano Christine Brewer:

Guest tenor Anthony Dean Griffey:

To secure your seats, call the Symphony Box Office at (816) 471-0400 between 10 a.m. and 5 p.m. weekdays, or select seats at kcsymphony.org.

Why Subscribe? 5 Great Reasons to Subscribe to the Kansas City Symphony

Becoming a Kansas City Symphony season subscriber has lots of perks.

VIEW THE 2017-18 season brochure HERE.

No. 1 – Amazing music and special moments.
In today’s hectic world, treat yourself to top-notch music that not only will relax and renew you, but truly inspire you. You will look forward to having time blocked off in your busy schedule where you can unplug for a bit and be in the moment. The Kansas City Symphony is consistently artistically excellent, so you know you’re always in for a memorable experience. Make it a fun outing with friends or impress your significant other with several dates already planned for the next year!

No. 2 – Greats Seats at Great Prices.
Becoming a Kansas City Symphony season subscriber is the surest way to secure the best seats available at the lowest prices the Symphony offers all season. It’s a terrific value too. Each season subscription includes the equivalent of at least 1 free concert. For example, those who choose the 7-concert Bravo or Ovation Series get 7 Classical Series concerts for the price of 6. And for the ardent classical music fan, the 14-concert Masterworks option is an amazing deal as concertgoers can secure seats to all 14 Classical Series concerts for the price of 11. Pops and Family Series subscribers experience similar benefits — four concerts for the price of three. Said another way, season subscribers save up to $20 off each seat for each concert. Becoming a season subscriber is the only way to guarantee such hot deals.

No. 3 – Free and Flexible Exchanges.
Conflict with a concert? Out-of-town wedding to attend? Trip planned? No worries, the Kansas City Symphony has got you covered with one of the most liberal and flexible exchange policies in town. All Symphony subscribers have the option of free exchanges, which means subscribers are able to exchange into virtually any Symphony concert – even into concerts not in their series. So, if you can’t attend, say opening weekend, you could switch into a Pops Series concert or a Screenland at the Symphony concert. Pretty sweet.

No. 4 – Additional Discounts.
Want to bring more friends with you? Want to add on a special concert? All season subscribers receive $5 off each ticket purchased outside of their subscription. Told you there were perks!

No. 5 – Exclusive Opportunities.
The Kansas City Symphony offers its season subscribers the chance to buy single tickets and special concerts before they go on-sale to the public. You’ll also have a chance to receive all of the latest news and announcements from the Symphony when you become a subscriber.

To learn more about all of the Classical, Pops and Family Series offerings, visit the Symphony season subscription page or call the Symphony Box Office at (816) 471-0400 or browse online at kcsymphony.org.

Get to Know Guest Violinist Anne Akiko Meyers

Anne Akiko Meyers. Photo credit: ​Nico Nordström

Guest violinist Anne Akiko Meyers will perform the Ravel’s Tzigane and the late Finnish composer Einojuhani Rautavaara’s Fantasia (world premiere) on March 24-26 with the Kansas City Symphony. The program also includes Sibelius’ Second and Nielsen’s Overture to Maskarade. Tickets from $25. Call (816) 471-0400 or select seats online.

Tell us about two works — the Ravel and Rautavaara — you will be playing with the Symphony this month.

I have been a lifelong fan of Einojuhani Rautavaara’s and asked him to write Fantasia in 2015. He leapt at the opportunity to write what turned out to be his last composition for violin and orchestra and later that year, sent me the beautifully haunting work. He invited me to perform Fantasia at his studio in Helsinki in December 2015. It was a profoundly moving experience with the composer sitting his living room, which overlooks the Finnish harbor. After I performed, he commented that he wanted no edits or revisions and he was super pleased with the beautiful composition he composed! I couldn’t agree more. Sadly, Rautavaara passed away last year. I am honored to premiere it with Michael Stern and the Kansas City Symphony.

Ravel’s Tzigane is a gypsy virtuoso showpiece, and it is a perfect complement to the Fantasia. The Tzigane begins with a monster cadenza that challenges every violinist. The piece is a huge crowd pleaser.

Are you looking forward to performing in Helzberg Hall with Michael Stern and the Kansas City Symphony? This will be your debut with the Kansas City Symphony, correct?

I met with Michael Stern’s father, the legendary violinist, Isaac Stern, to test out violins at Carnegie Hall and met with him on tour in Japan. I am really looking forward to collaborating with Michael, hearing and premiering this beautiful new work together in Kansas City!

While this is the world premiere of Rautavaara’s Fantasia, you have recorded the work already. What was that experience like? Is it your most recent recording project?

I recorded the work with the Philharmonia Orchestra conducted by Kristjan Järvi. I found the experience incredibly moving and believe the Rautavaara will be considered one of this composer’s masterpieces.

What advice do you give aspiring musicians?

Get out and play as much as you can! Create performance opportunities by performing in hospitals, churches, synagogues, retirement homes, etc. Sharing and communicating to audiences through your music is what it is all about. 

What are your sources of motivation and inspiration?

Everything around me. Family, life, food, music, nature, paintings, history.

We’ve noticed you have some unique publicity photos of you and your violin among huge trees. Did you have to hike prior to this photo shoot? How did you decide on that particular setting?

That was a very wet, rainy day outside of Austin, Texas, and the photographer raved about the area. There was a giant tree that looked like a heart was part of it. I had to be extra careful not to fall with the slick conditions and wait for dry patches of sky to take the violin out. 

Photo credit: MOLINA VISUALS

Do you have any pre-concert rituals before you step out on to the stage?

I like to rest in the afternoon after working out and gorging myself on a big carb lunch. A Skype chat with my family, nutrition bars and bananas help me immensely before hitting the stage.

What do you like to do in your free time?

Free time? I have a 4- and 6-year-old at home.

What are upcoming highlights of your remaining 2016-17 season? Do you have summer festival commitments or other concerts?

I will be headlining a Beethoven festival in Japan, performing the Bernstein Serenade in Nashville and performing recitals in New York and Washington D.C., among other performances.

This summer, I will be premiering the Samuel Jones violin concerto at the Eastern Music Festival in South Carolina, performing the Mendelssohn Concerto at Bowdoin (a festival I attended as a student) and performing Ravel’s Tzigane with Keith Lockhart at the Brevard Festival. 

Anything else you’d like to add?

I look forward to sharing the Rautavaara and Ravel with audiences in Kansas City!


Kansas City Symphony Classical Series
HOPE SPRINGS ETERNAL: SIBELIUS’ SECOND

Friday and Saturday, March 24-25 at 8 p.m.
Sunday, March 26 at 2 p.m.
Helzberg Hall | Kauffman Center

Michael Stern, conductor
Anne Akiko Meyers, violin

NIELSEN Overture to Maskarade
RAUTAVAARA Violin Concerto (world premiere)
RAVEL Tzigane
SIBELIUS Symphony No. 2

At a time when Finland was under Russian domination, Sibelius’ Second Symphony was viewed as a message of hope. Today, the fiercely dramatic and ultimately triumphant work is one of Sibelius’ most-loved compositions. The sparkling overture to Danish composer Nielsen’s opera, Maskarade, sets the stage for a tale of romance and mistaken identity. American virtuoso Anne Akiko Meyers stars in not one, but two works for violin and orchestra — the world premiere of Finnish composer Einojuhani Rautavaara’s posthumous violin concerto and Ravel’s Tzigane, inspired by vibrant Gypsy music.

Student tickets are available for this concert. Please call the Symphony Box Office at (816) 471-0400 to purchase.

Become a subscriber today! Subscribe Now

Listen to the Symphony podcast:

Read the Program Notes:

 photo Program-notes_zpsidifdq63.png

 

Get to Know Guest Pianist Wei Luo

Wei Luo
Wei Luo

Pianist Wei Luo performs Prokofiev’s Third Piano Concerto with the Kansas City Symphony on Feb. 17-19 in Helzberg Hall at the Kauffman Center for the Performing Arts. The program also includes Hindemith’s jazzy Ragtime, up-and-coming composer David Hertzberg’s for none shall gaze upon the Father and live as well as Beethoven’s jubilant Eighth Symphony. Tickets start at $25. To secure your seats, call the Symphony Box Office at (816) 471-0400 or select seats online here.

Tell us about yourself. When did you start playing the piano and when did you know you want to pursue piano performance as a career?

I am a girl from China who just turned 18, and I have played the piano for about 13 years. I started playing piano when I was 5, and not kidding, I wanted to be professional pianist when I first started. Now, I am honored to study with Mr. Graffman and Mr. McDonald at Curtis, and I am also a high school senior.

What can audiences expect to hear when you perform Prokofiev’s Third Piano Concerto? Do you have a favorite moment or moments? If so, which ones and why?

I basically love the entire concerto, but my favorite part would be the lyrical passages. They are very special among the brilliant and sparkling passages. I would like to audiences to hear the dissonance in the harmonies with the poetic lines, and the excited rhythms and brilliant passages — especially in the fast movements. The contrasts of characters in the music (introverted and extroverted) are very interesting as well.

If you had to pick, who is your favorite composer and why?

Beethoven. The great depths, passions and reasons in his pieces are so challenging. They always require my complete devotion to study and think about how they work together. And there are so many “nutrients” that I get from his works when I delve into them. The more you think about it, the more you get from his music.

This will be your debut with the Kansas City Symphony. Are you excited to perform in Helzberg Hall?

Yes! I am extremely looking forward to playing in the wonderful hall, and the most important of all, it’s like a dream come true for me to work with Maestro Michael Stern! I am so honored and grateful for this wonderful opportunity.

What would people be surprised to learn about you?

Hmm, when I was 10 years old at Shanghai Conservatory Middle School, during my piano final test, I forgot to pull up my dress’ zipper on the right side (facing the audience)… The judges laughed, and I felt beyond embarrassed … but fortunately, it didn’t affect my grade and I still got 1st!

When you’re not making music or preparing for a concert, what do you like to do in your free time?

I like to stay at home resting, working out, watching shows and baking cakes and pies! Going to museums and concerts are fun too.

Is there anything in particular you want to do or see outside of the concert hall when you’re visiting Kansas City?

I’ve heard that the museums in Kansas City are great, and I should go visit after concerts.

What other upcoming concerts are you looking forward to in the near future?

Among my coming recitals, I very much look forward to giving a solo recital in San Francisco at the Herbst Theatre in early April. In May and July, I’ll play in the Santa Fe Chamber Music Festival, where I am extremely honored to play with violinist Daniel Hope and clarinetist Todd Levy.

Anything else you’d like to add?

Again, thanks so much for your support, and I will always treasure my experiences in Kansas City! Hope you enjoy the wonderful piece by Prokofiev.


Feb. 17-19To secure tickets to hear Wei Luo perform this weekend (Feb. 17-19) with the Kansas City Symphony, call the Symphony Box Office at (816) 471-0400 or select seats here.

Get to Know Guest Conductor Ludovic Morlot

Ludovic MorlotSeattle Symphony Music Director Ludovic Morlot appears as guest conductor of the Kansas City Symphony this weekend, Jan. 20-22 in Helzberg Hall at the Kauffman Center for the Performing Arts. The program includes Chopin’s Piano Concerto No. 1, featuring guest pianist George Li, as well as Beethoven’s “Pastoral” Symphony No. 6. Tickets start at $25. To secure your seats, call the Symphony Box Office at (816) 471-0400 or select seats online here.

Can you tell us about the program that now includes Beethoven’s “Pastoral”?
This is a program of great Romantic nature, from the gorgeous melodies and harmonies of Chopin to Beethoven’s “Pastoral” Symphony, which is all about feelings. Beethoven’s genius is to create in us a journey of emotions as we awake feelings that we associate with situations and landscapes that we have been exposed to in the past. This brings back nostalgic memories, moments of tenderness and smiles, but also dark and fearful thoughts. The Symphony invites us to explore the widest range of emotions within us and to connect them with our own experiences.

Have you conducted the Kansas City Symphony in Helzberg Hall before, or will this be your first time?
This is my debut with the Kansas City Symphony, and my first visit to Kansas City.

When did you first start studying music? When did you know you wanted to be a professional musician? Did you always want to become a conductor or did you have plans to become a professional violinist?
I started playing violin at age 6 and was quite fond of ensemble playing from an early age. Orchestra, chamber music, new music ensembles. This is what led me to contemplate conducting as I would always study the scores to understand the role I played with the violin part. My love for architecture also made me curious about analyzing musical scores and understanding the form of a piece of music.

I believe the real moment I realized I wanted to be a professional musician came around the age of 12 when I started attending more and more concert and opera performances.

What advice do you give to aspiring music students?
Be exposed to as many different mentors and ideas as possible in order to find your own voice. Then, believe in that voice and spread your musical stories with great passion.

After Kansas City, what’s next in your schedule? What are other upcoming highlights for you this season — both guest conducting and with Seattle Symphony?
I will fly back to Seattle to perform Ives’ New England Holidays Symphony alongside Beethoven’s Emperor Concerto with Emanuel Ax, as well as continuing a recording project of the music of George Perle. Then, I travel to Paris for concerts with the Orchestre Philharmonique de Radio France.

There are many highlights coming up: Ravel’s opera L’Enfant et les sortilèges, Bruckner’s Fifth Symphony, Ligeti’s Requiem, as well as concerts in Minnesota, Helsinki and Istanbul.

When you’re not traveling, preparing for upcoming concerts or the like, do you have pastimes you enjoy in your down time?
I love playing tennis and boating, and there’s almost always a book in my hands. And of course, spending time with my family.

Anything else you’d like to add?
It’s a pleasure and privilege to be sharing music with the Kansas City Symphony this week! I’m very curious to get to know the city.


Ludovic MorlotGuest conductor Ludovic Morlot leads the Kansas City Symphony in Chopin’s Piano Concerto No. 1 (featuring guest pianist George Li) and Beethoven’s Symphony No. 6, “Pastoral” this weekend, Jan. 20-22. To secure tickets, contact the Symphony Box Office weekdays between 10 a.m. and 5 p.m. at (816) 471-0400 or select seats online here.

 

 

 

 

Get to Know Christmas Festival Guest Soprano Lisa Vroman

Lisa Vroman
Lisa Vroman, soprano

Guest soprano Lisa Vroman joins the Kansas City Symphony, Symphony Chorus, Allegro Choirs of Kansas City and the Rezound! Handbell Ensemble for seven presentations of the Symphony’s annual Christmas Festival concerts Dec. 15-18 and 20. Tickets from $30 for adults and $15 for children. Reserve tickets online or call the Symphony Box Office at (816) 471-0400.

Tell us how you got your start in music. When did you know you were going to become a professional musician?
My mother was my junior high and high school choral music teacher from Upstate, New York. I played the flute and sang in chorus. I also loved sports! I went to The Crane School of Music at SUNY Potsdam, following my sister (also a music educator) and have an undergrad degree in music education. I then completed my masters (MFA) at Carnegie-Mellon University in Pittsburgh, Pa. I also have an honorary doctorate from Potsdam.

I will add that my stepfather was a Robert Shaw Chorale singer in the 1950s and also was a graduate and choral professor at Potsdam! Music has been in my family DNA for many years!

Since you’re singing in the Kansas City Symphony Christmas Festival, we must ask if you have a favorite seasonal song or carol?
Since I sing multiple holiday symphony concerts, I do repeat many favorites each year… But having a choral upbringing means I am happiest when singing with a choir for the holidays. I could not pick one favorite.

Do you celebrate for the holidays? Do you have any traditions?
I sometimes do not get home until Christmas Eve … and am off again for a New Year’s concert elsewhere, so it is a really great work season. Even when starring as Christine in The Phantom of the Opera, or any show, you do not get holidays off as vacation. We are the entertainment for the rest of the world!

I do miss my family, as we are extremely close, but you have to make time the rest of the year.

Have you sung with the Kansas City Symphony in Helzberg Hall at the Kauffman Center before?
Not with the Symphony, but I spent time in Kansas City getting my Equity card at KC Starlight Theatre one summer after grad school.

How much of your time is spent practicing vs. performing vs. traveling? Do you have much down time? What do you like to do during your leisure time?
Traveling takes a lot of energy. For example, I was with the Hong Kong Philharmonic last season, and it is tricky to fly, recover to sing, then recover after the flight home. I am constantly preparing for the next concert event, which means arranging music, learning new pieces and developing concerts and recitals. I also have been singing corporate events, recitals and giving master classes more and more.

In my “down” time” (not very much) my husband and I love working on our home, and we have a 2-year-old, 70-pound rescue dog named Barber (after American composer Samuel Barber).

Photo of Barber the dog, a 2-year-old, 70-pound rescue dog, who is named after American composer Samuel Barber
Photo of Barber the dog, a 2-year-old, 70-pound rescue dog, who is named after American composer Samuel Barber

Who is your favorite artist of all time and why?
It depends on what genre… Elly Ameling, Benita Valente, Barbara Cook, Ella Fitzgerald, Elton John… the list is a long one!

Since you’ll be in Kansas City for several days, is there anything else you want to do outside of the concert hall?
I will probably not spend a lot of time outside the concert hall/hotel. That is typical during a run of many concerts! You must eat well, exercise and rest. I have a project coming up in January and also will be learning music by composer Kurt Weill that week.

Is there anything else you’d like to add?
I have spoken to Maestro Jason Seber, and I am so looking forward to sharing the stage with him, the orchestra musicians and the two choirs. I have said I never get to see my family for the holidays, so I will just adopt your audience as my extended family.


Kansas City Symphony Christmas Festival is Dec. 15-18 and 20.
Kansas City Symphony Christmas Festival is Dec. 15-18 and 20.

Secure seats to the Kansas City Symphony Christmas Festival by visiting this page or by calling the Symphony Box Office at (816) 471-0400.