Get to Know Guest Pianist Martin Helmchen

We’re thrilled you’re joining the Kansas City Symphony and Maestro Johannes Debus for the June 1-3 concerts. Will this be your first time playing with the Kansas City Symphony in Helzberg Hall?

Yes, it will be my first time, even my first time in Kansas, so I’m extremely excited!

Tell us about performing Beethoven’s “Emperor” Piano Concerto. What’s preparation like for you? Since you’re constantly performing in new spaces on different instruments, what types of adjustments do you make upon arrival of a new place?

This adjusting process is one of the big challenges in a pianist’s life. Because it is about a new place, new acoustics and an unknown piano all at once. It’s about getting an intuitive feel for an instrument and a space within a short period of time. Sometimes on a tour, [I have] just a 20 minutes of practice time in the hall. The “Emperor” Concerto, though, is in that context relatively easy, as it works very well on very different types of instruments. Beethoven anyway always dreamt of (and wrote for!) instruments he didn’t have at the time.

When did you know you wanted to be a professional musician? Did you only play piano?

I knew that after about one year of getting piano lessons, when I was 7 or 8. There was nothing more exciting and rewarding right from the start. But there was always so much to work on and to explore, I never seriously thought about learning another instrument. Still, I find the way that a piano works quite mysterious and challenging — actually it can only play softer or louder, you cannot shape a single note, so many things that make singing or a melody instrument fascinating (like the breath, etc.) you have to create “artificially.”

What advice do you give to aspiring pianists?

Follow the route that you find artistically valuable and that you feel drawn to, not what you think people would want to hear, or expect you to play like. Never stop learning and developing your own personal voice in all commitment and dedication to the composer’s intent and the miracle of their works. And do improvise! I regret that I never really did that…

When you’re not practicing or performing, what do you like to do in your leisure time?

Family time, gardening work, sports cars, Theology, soccer.


To purchase tickets to hear Beethoven’s “Emperor” and Wagner’s Ring concerts on June 1-3 in Helzberg Hall at the Kauffman Center for the Performing Arts in downtown Kansas City, please contact the Symphony Box Office at (816) 471-0400 between 10 a.m. and 5 p.m. weekdays or select seats online.

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Get to Know Guest Conductor Johannes Debus

Johannes DebusyMaestro Debus leads the Kansas City Symphony for the June 1-3 concerts. The program features selections from Wagner’s Ring cycle and Beethoven’s “Emperor” Piano Concerto featuring Martin Helmchen. Tickets from $25. Learn more.

We’re looking forward to the June 1-3 concerts! Tell us about the program. Why did you choose to pair the Beethoven “Emperor” with selections from Wagner’s Ring?

The starting point for the program was the “Emperor” concerto, arguably one of the greatest, most sublime, august, grand, complete and almost supernatural creations in that genre. Somehow I felt a “Ring Without Words” would be a perfect match. Wagner seems to continue with Beethoven’s key signature ideas. In a different way, we encounter in the Ring as well the sublime, august, grand, heroic and supernatural. To Beethoven’s dimension of universality and the absolute, Wagner adds his ideas of transcendence and redemption.

Have you conducted the Kansas City Symphony before? Will this be your first time in Helzberg Hall?

Since I have always heard such amazing things about Helzberg Hall and its “home team,” I’m very much looking forward to making my debut with the Kansas City Symphony in its celebrated concert hall. This will also mark my very first visit to Kansas City. BTW: Congrats on being designated by the UNESCO as a “City of Music.” Speaks for itself!

When did you know you wanted to be a professional musician? Did you always want to be a conductor?

The fascination of being a conductor, the fascination of somehow sculpting and defining the manifold waves of sound an orchestra builds, the idea of bringing all those incredible masterpieces encoded in music scores to life and bringing the various voices in it together — I guess I must have been in my early teens when this seed of a passionate dream started to grow. There was a magnetic force of attraction towards this profession.

What advice do you give to aspiring students?

You live and learn.

After Kansas City, what’s next in your schedule? What are upcoming highlights for you?

Right after Kansas City, I will be at Scotiafest in Halifax celebrating Philip Glass. Then off to the Bregenz Festival where we are going to bring Berthold Goldschmidt’s masterpiece Beatrice Cenci on stage. My personal highlight of this summer, however, will be the launch of a new festival in Prince Edward County end of August.


To purchase tickets to BEETHOVEN’S “EMPEROR” and WAGNER’S RING on June 1-3, 2018 in Helzberg Hall at the Kauffman Center for the Performing Arts, please call the Symphony Box Office at (816) 471-0400 or select seats online.

 

Free Kansas City Symphony Concert, Fireworks, Family Activities, Veteran Services on Deck for 2018 Bank of America Celebration at the Station

The Symphony’s 16th annual Memorial Day weekend event features live pre-show music, food trucks, family activities, veteran services, Symphony concert and KC’s largest fireworks display.

The Kansas City Symphony welcomes all ages to its 16th annual Bank of America Celebration at the Station on Sunday, May 27, held at Union Station.

As the largest FREE Memorial Day Weekend event in the Midwest, with an expected attendance of 50,000, the Symphony continues to expand its annual gift to the region while honoring the men and women who have paid the ultimate sacrifice.

Grounds open at 3 p.m. with pre-concert entertainment by the United States Air Force Band of Mid-America’s Hot Brass! ensemble, A La Mode and Heartland Men’s Chorus. Adding to the festivities, an array of family friendly activities in the Lee Jeans Family Zone, veteran offerings in the Honeywell Veterans Place and nearly 20 food trucks, will be on site.

The Honeywell Veterans Place includes the Veterans Community Project tiny home model, the V.A. Mobile Vet unit, Kansas City Public Television’s large-scale Vietnam map, Warrior’s Best Friend, KC Association of the United States Army (AUSA), Bank of America’s financial health information and resources for veterans and active-duty military, as well as a tent with even more resources and opportunities for veterans.

At 8 p.m., Music Director Michael Stern will lead the Kansas City Symphony and guests in a 100-minute, no-intermission concert filled with patriotic favorites such as “Stars and Stripes Forever,” “Armed Forces Salute” and Tchaikovsky’s ever-rousing “1812 Overture.”

To recognize the great Leonard Bernstein, who would have been 100 this year, the Symphony will perform selections from the musical “On the Town.” As orchestras across the world commemorate Bernstein this year, the Kansas City Symphony continues its celebration of the composer not only in this outdoor concert but also at its season finale concerts, June 22-24, with Bernstein’s Age of Anxiety performed by guest pianist Ran Dank.

To mark the 100th anniversary of WWI ending in 1918, guest baritone John Brancy will sing a WWI-era song, “God Be with Our Boys Tonight” as well as “Danny Boy.” Guest host and narrator Jim Birdsall (announcer for CNBC and NFL Films) and members of the U.S. Air Force Band of Mid-America also will take part in the concert, including Airman First Class Melissa Edgmon who will sing “God Bless America” and “Star-Spangled Banner” with a flyover by KC Flight.

The program culminates at 9:40 p.m. with a grand finale when all eyes turn skyward for the city’s largest display of choreographed fireworks, presented to the beat of patriotic music and overlooking the National World War I Museum and Memorial.

Attendees are encouraged to take the Kansas City streetcar, which is free to ride, and will operate until 11 p.m. The streetcar runs a 2-mile loop with 16 stops from the River Market area through downtown and the Crossroads Arts District to Union Station, which is the event stop. For additional parking options, view a map here.

As the event draws near, the Symphony will post details regarding pre-show entertainment, special exhibits and more at kcsymphony.org/celebration and on the Symphony’s FacebookTwitterInstagram and Snapchat accounts. The official event hashtag is #celebrationkc.

Kansas City Public Television (KCPT) will broadcast the event live on Channel 19 and re-air the event on Memorial Day, Monday, May 28. The rebroadcast airs regionally on Independence Day as well. For the first time, the Bridge 90.9 FM also will live stream the concert on the radio and online at bridge909.org.